![]() The lectures concluded with a roundtable in which the three speakers took turns answering questions about connections between the three talks. His lecture highlighted the richness and complexity of Dante's contact with, and poetic reworking of, late medieval currents of philosophical speculation. Simon Gilson, Agnelli-Serena Professor of Italian at the University of Oxford and Fellow of Magdalen College, gave the third talk on Friday afternoon, entitled “Dante’s Philosophers.” He focused on Dante’s descriptions of the philosophers in Limbo and in the Heaven of the Sun, and subsequent references to Aristotle, Plato and Averroes. ![]() She focused in particular on the images in the Nuova Cronica by Giovanni Villani, which includes an impressive twenty-two images of city destruction. Professor Carol LansingĪreli Marina, Associate Professor of Medieval Art and Architecture and Italian Architecture and Urbanism 1000-1600 in the Kress Department of Art History at the University of Kansas, gave the second talk on Thursday afternoon, entitled “Battering Ram and Fire: Civic Glory and Devastation in Dante's Age.” She discussed the persistent construction in Florence, Bologna, and Verona during the end of the 13th century, using manuscript illuminations to discuss inter-city warfare and the frequent practice of property destruction due to personal vendettas. ![]() Lansing has investigated Bologna’s criminal court records for similar cases, and elaborated on the differences between accusation and inquisition cases in medieval law, as well as her discoveries about sex work and consent in medieval Bologna. Following three individual talks and a reception, the three scholars converged at a roundtable to discuss each other’s work and the possibilities of contemporary Dante scholarship.Ĭarol Lansing, Professor of History at the University of California, Santa Barbara, started off the lecture series with a talk entitled “The Power to Choose? Piccarda Donati in the Paradiso and Girls in Bologna's Criminal Court.” The talk focused on Piccarda Donati, a cloistered nun who was forced to marry and then placed by Dante in the lowest heaven of Paradise due to a failure of will. ![]() On Thursday, September 23rd and Friday, September 24th, the Medieval Institute hosted three scholars-two in person, one on Zoom-to discuss Dante’s Divine Comedy and its impact on the field of Medieval Studies.Įach scholar took a slightly different angle: one legal, one architectural, and one philosophical. ![]()
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